00Start Here & The Two Gates
The two questions that decide whether you have a business, the real arithmetic of one order, and the first things to do, none of which cost money.
- 00-Start-Here-and-The-Two-Gates.pdf
Turn a desktop 3D printer into a small product business, one that runs on decisions rather than on printing skill.
Clear the rights and the channel before you build a catalog, buy only the capability your products actually need, and price a print by the hour of machine and hour of you it really costs.
Checkout on Payhip. Your download link arrives by email right after payment. Refundable until you download, final after that (refund policy).
Numbered in the order you’ll use them. One guide that teaches the decisions in the order they happen, one connected workbook the business runs on, the documents that make a design yours, and the cards you keep by the machine. Five files, and the workbook does the job six separate trackers would have done badly.
The two questions that decide whether you have a business, the real arithmetic of one order, and the first things to do, none of which cost money.
The whole business in the order the decisions happen, from what you are allowed to sell to what a print is really worth per hour of machine and per hour of you.
The file the business runs on. Your dated costs and channel rules feed a product screen, a print log and a capacity gate, so each tab sharpens the next.
The documents you send and sign to own a design outright and list it correctly, each with a note explaining why every line is there.
Nine cards for beside the machine: what to check before a print, what to do when one fails, and the minute of writing down the workbook runs on.
All 5 files are in the ZIP; nothing is held back for an upsell.
Pages and spreadsheet views from the files you download, not mockups. Open any one to read it.
Each one names the file that does it.
RIGHTS: may I legally make and sell this object? CHANNEL: does the marketplace I chose permit it? They have different answers, and a commercial license only answers the first. Almost every beginner collapses them into one.
Start Here · Playbook ch. 2–3 · Workbook: Rights Register
The default on a paid file is personal use. Terms vary creator by creator: some cap units per year, some require credit, some depend on a subscription. And CC BY-NC, the most common free license in the hobby, does not permit selling the print at all.
Playbook ch. 2 · Workbook: Rights Register
Four routes: draw it, commission it work-for-hire with full rights in writing, use genuinely public models, or license one. Each opens different doors, and the kit has the commission agreement that makes route two real.
Playbook ch. 2 · Rights & Listing Kit
An enclosure only for the materials that need one, such as ABS and ASA. Multi-material only if the product is genuinely one piece in several colors. A bigger machine only when things do not fit. Answer six questions and the planner tells you what you actually require, usually less than people buy.
Playbook ch. 4 · Workbook: Setup Planner
Material with your real waste allowance, machine time, channel and payment fees, packaging, the shipping you absorb, and any per-unit license cost. Not “it cost $2 of plastic and sold for $20.”
Playbook ch. 7 · Workbook: Products
Per order, per printer-hour, and per hands-on hour: three numbers that disagree with each other on purpose. A long unattended print can be excellent. A short print with forty minutes of sanding can be worse than either.
Playbook ch. 7 · Workbook: Products
Four disqualifiers that override any score: no evidenced right, the channel forbids it, an excluded category, or you cannot make it repeatably. Only then is an idea scored, and only then costed.
Playbook ch. 6 · Workbook: Products
Which materials need an enclosure and which do not, the one material-and-room combination to rule out, what unattended running actually requires, and, if you go that way, resin handled honestly rather than glossed over.
Playbook ch. 8–9 · Shop Cards
Slicer estimates are optimistic by an amount personal to your printer, your material and your profile. Log the actuals and the workbook replaces its shipped assumptions with yours, and tells you it has switched.
Playbook ch. 11 · Workbook: Print Log, Calibration
Four bottlenecks with four different fixes: the machine, you, demand, or economics disguised as capacity. If your constraint is finishing and packing, another printer makes it worse, and the workbook will say so.
Playbook ch. 11 · Workbook: Capacity & Expansion
Start Here gives you the roadmap and every file shows where you are on it. Phase 4 is the gate, clear to sell: rights evidenced, channel permits it, and a contribution you calculated.
Read the Playbook chapter for the phase, fill the Workbook tab it points to, and move on. The Shop Cards are printed and kept by the machine from your first test print; the Rights & Listing Kit is filled in once and used with every design and every listing after that.
A direction, and a chosen route to designs you are allowed to sell, with the first one recorded and evidenced.
Equipment matched to the products you intend to make, at a total you calculated, and nothing bought for capability you do not need.
Enough real production evidence to trust a number: actual print time, actual material, quality, finishing minutes, packaging fit.
Every product in your launch catalog: rights evidenced, channel allows it, not an excluded category, and a contribution you calculated and accepted.
Listed on one channel that fits, photographed to its rules, shipped, and every job’s real time and material written down.
Your own numbers replacing the seeds, keep / improve / drop per product, and a capacity decision that names the actual bottleneck.
Made and supported by Frog Labs LLC, the company behind LaunchBag.
More on the process: how a LaunchBag is made.
The questions people ask about this bag. More on the support page.
A ZIP with 5 components in 5 files: 3 PDF guides (57 pages total), 1 spreadsheet (.xlsx, eight connected tabs) and 1 editable Word document containing ten separate documents. Checkout is on Payhip. The ZIP is on screen and in Payhip’s email right after payment; keep the email, and if you ever lose it we re-send the files free.
No, and that is deliberate. There is more free instruction on printing well (bed leveling, slicer profiles, tuning, materials) than you could watch in a year, and much of it is excellent. Almost nobody fails at that. What ends these businesses is a catalog you were not allowed to sell, capability you did not need, prices built from filament cost, and capacity added to fix the wrong bottleneck. This bag is about those four.
Sometimes, and this is the single most important thing in the bag. There are two separate questions. RIGHTS: do you have the legal and commercial right to make and sell the object? CHANNEL: does the marketplace you chose permit it? A commercial license can establish permission from the rights holder while still not making the product eligible for sale on a particular marketplace, because a marketplace is a private venue and can require things copyright law does not. Both must be yes. The bag gives you a register that answers both, per design, in writing.
No, and no license from a modeler can change that, because they do not hold those rights either. The rights holders state their position plainly, and enforcement has reached printer manufacturers and model platforms, not just sellers. The fact that listings exist is not permission. It is incomplete enforcement, and enforcement arrives all at once, at the point where you have inventory, listings and reviews.
The bag teaches FDM, and gives resin one substantive chapter plus a dedicated safety card rather than pretending to teach both. Three reasons: resin adds 15 to 40 minutes of mandatory wash-and-cure after every plate, and equipment costs 30 to 50 percent above the machine price; uncured resin is a sensitizer and sensitization is usually permanent, so the PPE and ventilation are not optional; and resin’s strongest category, miniatures, is exactly where fan art and third-party sculpts concentrate, so it collides with both gates at once. If your products genuinely need that detail, chapter 9 tells you what it will actually ask of you.
The bag will not tell you, and that is the point. It asks what your products need instead (build volume, materials, whether you need an enclosure, whether anything is genuinely multi-color, whether you print abrasives) and returns the capability those answers require, which is usually less than people buy. A dated table of current example machines sits on one tab with what each represents, deliberately unnamed, because model names date within months and capability does not.
Your printer is a constrained production asset, so contribution alone does not decide anything. A product earning $15 over 14 printer-hours is about a dollar per printer-hour; one earning $8 in ninety minutes is over five, which is five times better use of the machine. And yet the first can still be worth selling if the machine is idle overnight anyway. The third view is the one that catches beginners: a product needing forty minutes of sanding and packing can be worse than either, because at one printer your own hours are almost always the real constraint.
One habit: when a print finishes, write down what it actually took. The workbook ships with conservative assumptions and says so. Once you have logged enough plates it switches to your own failure rate, your own actual-over-slicer time factor and your own material factor, and tells you it has switched. The factors are measured on successful plates only, because a failed plate uses less of both and the failure rate already accounts for that. After a few dozen prints you are costing from evidence nobody else has.
When the evidence supports it, and the bag is deliberately hard to get a yes out of. It separates four bottlenecks that have completely different fixes: the machine, you, demand, and poor economics disguised as a capacity problem. Print farms typically start near 15 percent of capacity, and even established ones sit idle a substantial share of the time waiting for a person to clear the bed. So if your constraint is finishing, packing or getting seen, a second printer makes it worse, and the workbook will tell you that rather than congratulate you.
Because the compliance burden is real and it is not scaled to a one-person shop. Under federal rules, products for children 12 and under generally require third-party testing at a CPSC-accepted laboratory and a children’s product certificate, and the small-parts rules catch exactly the printed items beginners gravitate to. For food contact, two claims get conflated: raw PLA is recognized for food contact, but filament additives and colorants are not necessarily, and printed layer lines create microscopic gaps that trap bacteria and cannot be reliably cleaned. The bag explains the mechanism and declines, rather than stating a universal legal conclusion.
5 files: 3 PDF guides (57 pages), 1 spreadsheet for Excel or Google Sheets, and 1 editable Word file. One download, yours to keep.
By clicking “Get the bag” and completing checkout on Payhip, you agree to LaunchBag’s Terms and refund policy. This is a digital download: refundable until you download a file, and all sales are final after that, with the exceptions in the refund policy. Not legal, tax, insurance, or safety advice, and the templates are not a substitute for the advice of an attorney; no income promises.
Sold by Frog Labs LLC. To receive our legal name and business address by email, write to contact@froglabsllc.com.